Tuesday, October 6, 2015

I Brought Several Innovations Into Islamic Music



Islamic Music Star, Ere Asalatu Speaks
              

Like a heavy rain unheralded by a cloudy sky, his emergence on the music scene sometime in 2008, caught most music lovers unaware. The release then of his first musical effort titled: “Ere Asalatu” caused some positive confusions. Sounding very much like Tungba Gospel Music creator, Yinka Ayefele in tone, tune and beat of his music, but singing Islamic gospel music, many began to imagine if Yinka Ayefele had converted to Islam. But a more painstaking enquiry revealed the artiste behind the new dimension in Islamic music as Abdul-Kabir Bukola Alayande, who has apart from adopting the title of the said first album as a stage-name today, has also become an Alhaji with even a reference of Dr. added to his titles. By not resting on his oars, Ere Asalatu has remained a force to reckon with in his genre of music since bursting into limelight and has also won the award of Best Islamic Artiste in Nigeria amongst several others internationally. In this interview with SAHEED OJUBANIRE ONLINE, he spoke on issues regarding the Islamic music industry, his experience, source of inspiration, innovations and more. Excerpts:
  
Q: Of recent, Islamic artistes are fond of producing more joint albums than individual albums, is joint album now more profitable than individual album?

No. Producing joint albums is not in any way more profitable than producing individual albums but we are doing it because that seems to be what our fans and listeners prefer for now. As a matter of fact, what we are paid for partaking in joint albums is not up to one quarter of what we get for producing our individual albums. However, joint albums sell far more at the moment than individual albums of many of my colleagues. And again, there has been more ample ground to pass more messages with the joint albums better than in the individual albums. Mind you, I pass as much messages in my personal albums as I pass in the joint albums but that does not apply to every Islamic artiste. So, the collaborations take more painstaking measures in terms of the messages being passed across, no matter the artistes involved. But in terms of profitability, individual album is more profitable than the joint album for the artiste.

Q: A section of Islamic artistes are of the opinion that the up and coming artistes need the joint albums to be popular by featuring already established stars in the albums. But for someone like you who became popular with a solo effort, how would you react to the assertion that joint albums are needed to make some artistes popular?

No, I disagree with that school of thought. The truth is we have all been destined to become popular as artistes in different ways, whether with a solo or a joint album. Besides, at the time I burst into the limelight with my first album titled “Ere Asalatu”, joint album was not yet in vogue by Islamic artistes. Although, the Fuji and Hip hop artistes were already doing it but it was still alien to Islamic music then. However, I still don’t want to reckon that collaboration has the magic wand of making an artiste popular. As a matter of fact, there is a good number of artistes in our industry who have featured in so many collaborations but yet, they are not popular. So, it is only Almighty God who determines who He wants to make popular or not. It is not about how talented, beautiful or handsome an artiste is, but just by God’s grace. It is just like the law of nature; it takes one blessed sperm out of multitude to make a baby.


Q: Are there measures the association of Islamic artistes is taking to regulate the production of the joint albums so that they don’t become too excessive in the market?

Well, there has not been any regulatory measure taken so far but there are steps about to be taken to control outflow of joint albums to curb its excessiveness. And again, some of our people don’t know what they are doing, they are just doing it. And they will still be happy and be laughing about it. I know the body of Islamic artistes would soon be setting up a committee to look into regulating joint albums.

Q: If you are to compare Islamic music with other genre of music, where will you place it?

Islamic music is number one. 

Q: Why do you have that conviction?

Yes, Islamic music is number one. And that is because you’ll only find Islamic music in only godly places. And whoever is seen in a godly place is number one as far as I’m concerned. We may not be as rich as those in other genre of music but we are not lagging behind. Besides, money is not the only measure of success. I can bet it that people buy more of our albums than others and we are living good lives like others in other genre of music too.

Q: Is there an album you have just released or still working on?

Yes. I have just released two albums and there is one about to be released. One of the newly released albums is “Ore Gbankogbi” and the other is Video CD of a previous album “American Secret”. And the one I’m walking on is titled “Reality” which would be coming out soon.

Q: What gives you inspiration to compose?

There is nothing in specific. When I am happy, I get inspiration from happiness and if it is otherwise, I get inspiration from it. My inspiration comes from my mood or what I see around me. Especially, things that are unusual.

Q: You are also known as “Innovator” in Islamic music, what are some of the innovations you brought into your genre of music?

If you look at Islamic music, you’ll know that my style is very different from others. My style incorporates High life, Juju and the rest of it, it is very dynamic. And that is the innovation. My dress sense is also different, my thinking is different, my composition is different and my delivery is quite different. And the environment you’ll find me is also different. That is the reason I was given the appellation “Innovator” in London.

Q: What kind of relationship exists between you and other Islamic artistes?

There is a very cordial relationship between me and all my colleagues, both males and females in the industry.

Q: Is there any unforgettable experience you have had as an Islamic artiste?

Yes, there are so many. But I don’t want to start mentioning them so that they would not be misunderstood by some people. May Almighty Allah continue to protect us all.

Q: How would you react to the assertion that Islamic artistes are not in true cordial relationship with one another?

Thank you. That is only a fake rumour; for one, I have a cordial relationship with all my colleagues and I believe that is the way it is with every one of us.

Q: As an Islamic artiste who has performed into both London and America, how acceptable would you say Islamic music is out there?

Islamic music is very well accepted by Nigerians abroad and some other black people like us, both in London and America. Even, some white people dance to the melody of my music; after all, music is a universal language.

Q: Apart from being an artiste, you are also a music producer. Which are you more comfortable with?

I am very comfortable with both. Even at times, I feel like inviting someone to come and produce for me when I’m recording my album because two heads are always better than one.

Q: Finally, what is your message for your teeming fans home and abroad?

My message is that they should always be of good characters so that good things would always locate us. There is a lot of good in being good. And I want them to know that I love them all.



















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